Love Aaj Kal film review: Sara Ali Khan, Kartik Aaryan’s Valentine’s Day providing is love’s labour’s lost

Love Aaj Kal film review: Sara Ali Khan, Kartik Aaryan’s Valentine’s Day providing is love’s labour’s lost

First thought that comes to your thinking after watching Imtiaz Ali’s Valentine’s Day offering, Love Aaj Kal is what may want to have triggered the filmmaker to tell a decade historical story again, with modern characters who are messed up, unsure and frivolous? Or was it simply a senseless choice to money in on the craze his lead pair - Kartik Aaryan and Sara Ali Khan - generated ever considering that Sara expressed her desire to ‘date’ Kartik, on Koffee With Karan?


Irrespective of the reason, with this reboot of his own 2009 movie via the identical name, Imtiaz as soon as once more invitations you into the world of imperfect people, complex conditions and dysfunctional relationships, and fails to weave it all together.

A visibly off and awkward Veer (Kartik) meets a career-driven, high-on-life-and-booze Zoe (Sara) at a bar and they stop up collectively in bed. However, Veer stops midway, leaving her high and dry because he feels they need to be more ‘serious’ before they make love. He quickly turns into a stalker, landing up at the equal co-working space the place Zoe works, which is owned through Raghu (Randeep Hooda). Now, Raghu is a brooding loner who as soon as gave up the entirety in Udaipur to be with the lady he loved, Leena (newcomer Aarushi Sharma) in Delhi, but quickly became into a Casanova who hooked up with nearly each and every female he met.

Back to the lead pair, whilst Zoe has her five-year sketch in location – she needs to begin her event management company and solely then get into a long-term relationship; Veer, a techie, is not a whole lot of a planner. He simply lands up on his bike to pick and drop Zoe at her meetings/dates every time an Uber fails to reach her location. After resisting initially, Zoe subsequently falls for him and a sequence of conflicts with each different and their internal selves quickly follow.


On one hand, you have Kartik telling Sara that, ‘The day you feel I’ve began to annoy you, I’ll go away from your life’, and on the other, Randeep can’t quit narrating his own ‘fairy-tale’ and turning into the reason why Sara questions her personal choices.

Whoever said complex love memories make for wonderful cinema, please wake up and odor the coffee. You can both deal with complicated characters or a complex story however mix up each and it’s the target market that ends up feeling helpless and confused. That’s fairly the emotion I was once left with after watching Love Aaj Kal. While Kartik and Sara put their great foot ahead as Zoe and Veer to make you agree with in their unbelievably complicated love story, it’s the tedious narrative and screenplay that ruined it for me. A sluggish and boring first half of is observed by way of a reputedly predictable 2nd half, making you yawn at multiple places.

Just like the original, this film, too, cut between two timelines but tremendously choppy modifying doesn’t let you continue to be invested in both of them. The flashback sequences of Randeep’s story gets interrupted way too often to accommodate the present-day setup. Given that the movie is non-linear, a cleaner narrative used to be needed.

If we examine Kartik’s twin act, he is way extra exciting as the younger Raghu, a small city boy with his set of eccentricities and obsession for a girl. I wouldn’t have minded if Imtiaz just performed on that plot as a standalone story. As Veer, he lacked that connection somewhere. In terms of his onscreen presence, you see a extra mature and sorted Kartik than what we noticed in Punchnama motion pictures or his in the past massive display screen outings.


Sara, though she receives a bit loud and over-the-top at times, suits in Zoe’s phase effortlessly. She looks brilliant on display screen and well, her wardrobe is envy-inducing.

Aarushi is subtle, easy and lets her expression and face provoke more than her dialogues. Randeep appears great with that handlebar moustache and honestly, he is the high-quality aspect to watch out for in the complete film. There’s some thing about his persona that sparks an immediate curiosity and you desire to see greater of him. His scenes with Sara are endearing and at one point, you truely think there should have been a spark between them. Also, Sara’s onscreen chemistry with Kartik is cute however in most parts, she looks extra smitten by way of him simply like in real life.

As a director, Imtiaz -- as soon as acknowledged as the great storyteller in the romantic style -- surely got carried once more one extra time, attempting to recreate some thing that he has already made. The trouble is that he really believed a story like this would work in 2020 the place you don’t see people like Veer and Zoe in actual life, which is too fast-paced to fear about anything. Also, harping on stereotypes wasn’t sincerely a appropriate move. Showing a lady being indecisive of her relationship because she can’t balance it with her career is some thing that made sense years ago. Now, you discuss of women as multi-taskers. So, Imtiaz wishes to refresh his thought of love and romance. Agreed, his tries to go in the depth of things and convey out the insights of his layered characters however you want to understand, a movie in totality had to resonate. It can’t just about how you identify love; it has to be greater real and relatable and Love Aaj Kal lacks that.


Storyline aside, the tune of the movie does a proper job in imparting guide to its narrative. The meaningful lyrics and temper uplifting score breaks away from the monotony of identical things being hammered into our minds.


Love Aaj Kal is a movie that’s for the millennials solely because it’s a current day love story however even then, it wished a way higher treatment. Watch it possibly if you get free couple tickets and have no higher V-Day plans with your vast other.